| Organizing Your Data to Write Better Copy
| |
| | that your reader can follow? Are you
|
|
| |
| | telling him/ her a story that you
|
| Last quarter I talked about interviewing
| |
| | yourself could believe in?
|
| gathering data. So now you've got
| |
| | You will go through the same exercise
|
| several thousand words of notes,
| |
| | with the remaining blocks of notes, ie
|
| hopefully digitally recorded. What comes
| |
| | "B","C" and "D".
|
| next?
| |
| | EDITING IS PRIORITIZING
|
| GETTING ORGANIZED
| |
| | Editing is prioritizing. Often you will
|
| I suggested organizing your interview
| |
| | want to limit a list of ideas to 3. Three
|
| questions into 4 groups. I'm going to
| |
| | has a flow to it. And is about as much as
|
| label them for you A, B, C, D.
| |
| | any reader or listener can grasp at one
|
| ·what is the business problem? = A
| |
| | sitting.
|
| ·what is the high level solution? = B
| |
| | Finally you polish. Now you are reading
|
| ·can you tell me more about the
| |
| | for flow or musicality.You are cutting
|
| solution? = C
| |
| | out superfluous ideas and words.
|
| ·why should I trust you (as my vendor?)
| |
| | This is the long way to write.
|
| = D
| |
| | THE SHORT WAY TO WRITE
|
| Any decent piece of writing has a
| |
| | The short way is to sift and prioritize
|
| beginning, a middle and an end. So before
| |
| | all your notes in your mind ie you turn
|
| you start editing / writing you want a
| |
| | on your thinking tool. The key idea will
|
| map, to show you where you are going.
| |
| | pop into view, and hey presto, you begin
|
| Take a blank sheet of paper, write four
| |
| | writing about that one. You have a
|
| major headings and label them A, B, C, D,
| |
| | feeling for what comes next and what
|
| as above.
| |
| | after that. You understand how to
|
| Now read your notes. When you find data
| |
| | prioritize your ideas. Soon with a bit of
|
| relevant to "A" (the business problem),
| |
| | jiggling ideas around the page, your
|
| underline that copy and mark a big "A" in
| |
| | story has a beginning, a middle and an
|
| the margin (in red?) . Keep working
| |
| | end.
|
| through until you have marked up relevant
| |
| | You can teach yourself the short way by
|
| copy for all four sections of your piece.
| |
| | writing the long way, again and again. Or
|
| You will be leaving out anything that
| |
| | by turning copy round in the middle of
|
| does not seem suitable as you go.
| |
| | the night for an 07.00am deadline as I
|
| THE CUT AND PASTE JOB
| |
| | often had to do as a newspaper feature
|
| Next comes a cut and paste job. Group
| |
| | writer.
|
| together all the "A"s, then the "B"s,
| |
| | "When we encounter a natural style, we
|
| "C"s and "D"s.
| |
| | are astonished and delighted: for we
|
| Next, take a look at all the ideas you
| |
| | expected to see an author, and we find a
|
| have in the A group. It helps if you take
| |
| | man." Blaise Pascal. Quoted with thanks
|
| a new sheet of paper and write a list of
| |
| | to John R. Trimble, Writing with Style
|
| the ideas or facts in the A group. Now
| |
| | published by Prentice Hall.
|
| prioritize. Be ruthless. And trust your
| |
| | Do you have a robust marketing plan to
|
| first instinct. If an idea seems to leap
| |
| | execute against? How clear and persuasive
|
| out and have life, put it first. The less
| |
| | is your website, brochure copy or direct
|
| important ones come later. Weed out any
| |
| | mail? Call Neroli Lacey NOW to win more
|
| repetition or weak data. Now you work on
| |
| | business TODAY.
|
| flow. Do you have a logical flow of ideas
| |
| | CALL ++ 612. 215.
|