| This article has been on the shelves in
| |
| | ultimately end up talking about them.
|
| the back of my mind for a while. I was
| |
| | Our natural character, more than how we
|
| waiting for the time to write it as much
| |
| | sound when we speak, is what makes us
|
| as I was waiting for the right words and
| |
| | whole. Though some of us might not
|
| phraseology to come to the forefront.
| |
| | entirely like ourselves, when we are free
|
| This is and always will be a sensitive
| |
| | to be ourselves we seem to be most at
|
| subject so I will attempt to treat it as
| |
| | ease. When it comes to the business of
|
| such. I was further inspired to get it on
| |
| | voice over, being at ease is one of the
|
| paper now, by the recent departure of
| |
| | main keys to success in front of the
|
| Isaac Hayes from the hit comedy cartoon
| |
| | microphone. We want to be relaxed. We
|
| South Park. Though the story of his
| |
| | want to be able to focus and concentrate
|
| departure includes religion and politics,
| |
| | on the task at hand, both of which are
|
| neither one applies to this article.
| |
| | quite difficult when a portion of our
|
| Isaac Hayes was the voice of the
| |
| | energy is spent trying to be someone we
|
| character Chef on Comedy Central's
| |
| | are not. The best example would be the
|
| animated series because of who he was and
| |
| | type of discomfort a singer experiences
|
| what he sounded like when he spoke. Why
| |
| | when they try to sing a piece that is out
|
| he left the show has nothing to do with
| |
| | of their range. That experience is
|
| this article, but his situation while
| |
| | identical to the experience of the voice
|
| working for the show may have some
| |
| | over talent who is trying to bury an
|
| correlation. It seemed now was just as
| |
| | accent or dialect, and sound like someone
|
| good a time to write it as any other,
| |
| | he or she is not.
|
| with a little national attention being
| |
| | However, if our natural character is one
|
| given to a topic in the same family.
| |
| | that speaks with a southern draw, an
|
| So ok already, enough with the
| |
| | urban accent or foreign dialect, any time
|
| justification for writing it. Get on with
| |
| | we speak as ourselves, we will be
|
| it...
| |
| | speaking in fashion not very well suited
|
| In several years of learning the ins and
| |
| | to performing voice over here in America.
|
| outs of the voice over business, I have
| |
| | So what are talents of various regions
|
| always wondered if voice over might
| |
| | and ethnicities to do? To answer that
|
| someday become a great pillar of
| |
| | question we need to explore the
|
| equality. Something that leveled the
| |
| | implications of hiding or learning how to
|
| playing field for the diverse
| |
| | perform around who we really are. That
|
| multicultural society we call America; a
| |
| | brings forward the dilemma I alluded to a
|
| business with open doors for all,
| |
| | few columns back; how do you wake up,
|
| regardless of where we came from or what
| |
| | look in the mirror and accept that the
|
| color our skin happened to be. As I
| |
| | way you were born into this world isn't
|
| continue to ponder the possibilities of
| |
| | good enough to participate in this
|
| such a level playing field, the answer to
| |
| | business? It's a rather tough pill to
|
| the overall question is a resounding no.
| |
| | swallow.
|
| It will not be a playing field of
| |
| | On every forefront, in every corner of
|
| equality anytime soon, but maybe not for
| |
| | our society forces are struggling to
|
| all of the same old reasons you might
| |
| | preserve their culture, and this industry
|
| suspect.
| |
| | in many more ways than one, asks that you
|
| In no other business would it be
| |
| | abandon it. Not to say there aren't
|
| acceptable, or for that matter legal, to
| |
| | opportunities out there for people of
|
| post a job opportunity or listing with
| |
| | different culture, color and dialect, but
|
| criteria or parameters such as "Wanted,
| |
| | the majority of voice over jobs are going
|
| African American male or female." or
| |
| | to the average Joe or Jane who speaks
|
| "looking for north American Caucasian
| |
| | with a typical middle America type
|
| male for this job."; job postings that in
| |
| | affect.
|
| their limits not so subtly say, "No
| |
| | My first opportunity to coach an African
|
| others need apply."
| |
| | American student came several years ago.
|
| But in the voice over industry, the
| |
| | She was a young woman, very poised with a
|
| ability to pick and choose between male
| |
| | charming smile. She came to my studio
|
| or female, black, white or Hispanic is
| |
| | with a fair amount of acting experience
|
| not only an every day occurrence, it is
| |
| | which was a true advantage for her. Due
|
| the way business is done. Producers and
| |
| | to some of her Shakespearian stage
|
| casting directors are at liberty to be as
| |
| | experience her regionalism and dialect
|
| finite as they like in their pursuit of
| |
| | were only very subtle attributes to her
|
| the perfect match for their part. Does
| |
| | voice. I found her to be a very pleasant
|
| this make them evil, horrible people? No.
| |
| | speaker, and after hearing her behind the
|
| But there is no shortage of talking
| |
| | microphone, thought that with a little
|
| points when it comes to how equally
| |
| | tweaking, we could produce a demo reel
|
| opportunities are spread among performers
| |
| | that had no identifiable characteristics
|
| in the movie and television industry.
| |
| | that would announce to the listener what
|
| Imagine the front doors of a large
| |
| | she looked like, how tall she was, what
|
| American corporation covered in posters
| |
| | kind of shoes she liked to wear, and yes,
|
| to this effect: "wanted, computer
| |
| | what color her skin was.
|
| programmer must be black female with a
| |
| | After some discussion about the concept
|
| slight urban tinge to her voice." The
| |
| | of having her demo be ethnically neutral,
|
| idea should be so far from the realm of
| |
| | she and I both agreed we would work to
|
| possibility as to be laughable, at least
| |
| | have it not be completely neutral, but
|
| in this day and age. But in the voice
| |
| | instead trickle some of her natural
|
| over industry there are daily postings
| |
| | flavor in with the more mundane,
|
| that don't imply or infer this. They come
| |
| | conservative reads on her reel. It was
|
| right out and say it.
| |
| | important to me that she was able to
|
| No one will ever be able to tell the true
| |
| | demonstrate her ability to turn her urban
|
| intentions behind the people hiring for
| |
| | dialect on and off, and not have it lean
|
| the project, and for our own sanity we
| |
| | more in one direction or the other. I
|
| might as well assume their intentions are
| |
| | didn't want to suppress or try to hide
|
| good and with merit. With all of the
| |
| | that fact that she was a young,
|
| attention and criticism Mel Gibson
| |
| | dignified, intelligent black woman. I
|
| received for his hand in The Passion of
| |
| | wanted her demo to show that she was a
|
| the Christ, I don't think the thought of
| |
| | young, intelligent, dignified woman who
|
| a black male lead ever crossed the minds
| |
| | by the way happened to be black.
|
| of the people in the casting department,
| |
| | We both wanted to embrace her culture. My
|
| and oh what a ruckus there would have
| |
| | overwhelming desire was that she got a
|
| been had that been the direction they
| |
| | fair shake when someone listened to her
|
| decided to take that movie in. Did they
| |
| | demo. I wanted them to get a few tracks
|
| cast a white male lead actor for the part
| |
| | in before they discovered that there were
|
| of Jesus in order to preserve the
| |
| | more layers to the product. My primary
|
| accuracy of the story? If so, there are
| |
| | concern was that someone would pop in her
|
| many in this country and the rest of the
| |
| | demo reel, hear the first track and
|
| world that question that accuracy.
| |
| | disregard it as an ethnic demo, or add it
|
| Wait a minute... I can feel this article
| |
| | to the black pile if there was such a
|
| spiraling... Apply breaks, return to
| |
| | thing, or worse throw it out. We
|
| original intention, and get back to the
| |
| | discussed all of these possibilities and
|
| topic...
| |
| | took them into consideration when
|
| Ok, I think I got it.
| |
| | crafting her demo. I knew from the
|
| Suffice it to say, that people's true
| |
| | beginning I was treading in ethically
|
| intent is generally buried so deep it is
| |
| | unknown territory by bringing these
|
| pointless to begin looking for it. If we
| |
| | issues to the forefront, just as much as
|
| want to move beyond the possibilities of
| |
| | I am by writing this article. But I felt
|
| prejudice and exception in this business,
| |
| | as strongly then as I do now, that until
|
| we will have to find a way to fool the
| |
| | society finds a conscience and some
|
| directors and casting people. A way to
| |
| | decency, or we can turn back the hands of
|
| beat the system that may or may not be in
| |
| | time, it may do more harm than good by
|
| place. A way to overcome, so to speak, an
| |
| | choosing to pretend the world isn't the
|
| obstacle that to this point remains
| |
| | way it is.
|
| faceless and so illusive it may never be
| |
| | When it came time to select cover art for
|
| tackled. We wont know what we are
| |
| | her demo reel, the question became
|
| fighting, or if we are fighting anything
| |
| | whether or not she should put her
|
| at all. Not a very bright prospect.
| |
| | headshot with her demo. My answer to that
|
| Breaking Down Barriers.
| |
| | question was not to. After all, this
|
| When I have the opportunity to coach
| |
| | business is called Voice-Over, not
|
| voice over talent with ethnic backgrounds
| |
| | Face-over, or Where-Did-I-Come-From-Over,
|
| different from my own, my mind opens to
| |
| | or What-Color-Am-I-Over. In this
|
| the fascination of the unknown. I am
| |
| | business, as with any other business, it
|
| peering into a crevasse so deep and
| |
| | should make absolutely no difference
|
| different from my own, that my receptors
| |
| | where you come from or what you look
|
| are on high alert. Inside that crevasse
| |
| | like. The only thing that should matter
|
| are many things I haven't ever seen,
| |
| | and often does is what you sound like.
|
| culture I may have never witnessed,
| |
| | Isolating your abilities
|
| beliefs and experiences that I may have
| |
| | One of my greatest concerns when a new
|
| never considered. Many are portions of
| |
| | talent comes to my studio is that they
|
| human existence that I have never
| |
| | understand the difficulty of achieving
|
| encountered, and as they have shaped this
| |
| | success. It takes a great deal of
|
| person, might shape me a little as well.
| |
| | investment, time and energy to move
|
| I must witness them, learn from them,
| |
| | forward in the industry, and informing a
|
| feel them and hear them in order to
| |
| | talent of what obstacles stand before
|
| better mold my approach to teaching this
| |
| | them up front before they ever get
|
| craft. That is usually much easier said
| |
| | started, or ever spend a penny on the
|
| than done. Many times I encounter actors
| |
| | business only seems fair to me. Most
|
| or broadcast talent who have fought so
| |
| | people have the same obstacles when
|
| hard to suppress their regionalism,
| |
| | getting started: Lack of experience, cold
|
| ethnicity or nationality that getting
| |
| | read ability, and audition technique,
|
| them to lower the wall they have been at
| |
| | lack of technical knowledge when it comes
|
| times forced to create, is not an easy
| |
| | to editing and uploading files to servers
|
| task.
| |
| | and configuring home studios. All of
|
| Much of my ability to break down these
| |
| | those obstacles are pretty general. But
|
| barriers is simply a developmental
| |
| | when a talent has a regional, ethnic, or
|
| approach to building trust. You may ask
| |
| | cultural background that directly effects
|
| why I would try to break these walls down
| |
| | their delivery of voice over copy, it
|
| at all; why not just leave them be and
| |
| | becomes much more of a challenge for them
|
| skim over them? Probably for the same
| |
| | as a talent and me as a coach.
|
| reason when I speak to someone I want
| |
| | In my early days of coaching, commenting
|
| them to look me in the eye. As a coach,
| |
| | on someone's cultural background as a
|
| it is my job to dig as deep as I can to
| |
| | hindrance to their success felt a little
|
| find the raw talent. Then I need to bring
| |
| | like walking a tightrope. I wasn't
|
| that talent to the surface where it can
| |
| | exactly sure of what approach I should
|
| breathe, grow and flourish. This is a
| |
| | take and saying anything at all was a
|
| performance art, a human business, an art
| |
| | little uncomfortable. But when I
|
| form that requires people be their true
| |
| | considered the alternative of not telling
|
| selves. I am trying to teach voice actors
| |
| | the student and letting them go into
|
| how to create characters, not teach one
| |
| | their training only to have someone tell
|
| character how to become another. I need
| |
| | them later, I felt I might as well take
|
| to be able to see the real person. It is
| |
| | the risk and tell them up front. Each
|
| there I will find the voice I am trying
| |
| | time I have had to do it, there has been
|
| to coach. I cannot coach the person
| |
| | a mixture of responses, most of them non
|
| adorned with a shallow façade. I need to
| |
| | verbal so it is hard to tell exactly how
|
| talk to the real person behind the wall.
| |
| | the talent perceived what I was saying. I
|
| Reality dictates that societal pressures
| |
| | can think of no easy way of saying it. So
|
| and socioeconomic status along with
| |
| | up to this point I just come right out
|
| cultural background will be the strongest
| |
| | and tell people that their accent or way
|
| influences governing how a person
| |
| | of speaking is going to have a negative
|
| presents themselves to others. In the far
| |
| | impact on their success as a voice over
|
| from Utopian community of commercial
| |
| | talent. I usually try to explain the
|
| voice over talent, producers, and
| |
| | process of installing a switch that
|
| companies that hire freelance talent
| |
| | rather than completely ridding them of
|
| outright, if the above mentioned factors
| |
| | their natural style of speaking, enables
|
| lead you to speak anything but "The Kings
| |
| | them to turn it on and off. Installing
|
| English" (along with his accent) the
| |
| | this switch takes time and effort, and
|
| world of opportunity in voice over will
| |
| | time of course in the pursuit of coaching
|
| be forever very small for you. The way we
| |
| | costs money. Money continues to be the
|
| speak, our intonation and the regional
| |
| | one major prohibitive factor that keeps
|
| artifacts in our sound play a huge role
| |
| | people for entering this business or
|
| in whether or not we see any success in
| |
| | continuing to pursue it for very long.
|
| this industry.
| |
| | When someone considers the prospect of
|
| Becoming better versions of ourselves.
| |
| | spending some of their coaching budget on
|
| So many people pursuing voice over or
| |
| | getting rid of something they never saw
|
| broadcasting careers are forced by some
| |
| | as a problem in the first place, it
|
| unwritten word of law to mold their sound
| |
| | occasionally prompts them to throw in the
|
| into something considered more user
| |
| | towel early and decide this business
|
| friendly. Who makes those laws or sets
| |
| | isn't for them.
|
| that policy is unknown to me, as well as
| |
| | Though it may sound cruel or untoward,
|
| the rest of us, but more often than not
| |
| | when most students decide to back out at
|
| it dictates that: Urban accents and
| |
| | this point I am elated. Turning tail and
|
| dialects are eliminated or suppressed.
| |
| | running at the first sign of difficulty
|
| Culture is lost and regional flavor is
| |
| | is what keeps everyone and their brother
|
| buried. What is left over is a completely
| |
| | from having a voice over demo on the
|
| manufactured sound which in turn becomes
| |
| | market. But when a talent from an
|
| the person's permanent public or
| |
| | ethnically diverse background decides to
|
| professional voice. Many times it sounds
| |
| | back away upon being informed of this, it
|
| forced, which in turn makes it sound
| |
| | hits me a little closer to the core. I
|
| fake. When it sounds forced or fake the
| |
| | can't help but feel that I am just
|
| announcer sound starts to creep through.
| |
| | another in the long chain of people that
|
| Forced, fake announcer style reads are
| |
| | has said throughout the course of their
|
| not at the top of the hit list in the
| |
| | lives, "I am sorry, but because you are
|
| voice over business.
| |
| | (place ethnicity here), this business
|
| Producers and even regular people who
| |
| | isn't right for you." One, it is not at
|
| might be casting voice talent are looking
| |
| | all what I am saying and two; it couldn't
|
| for the voice and/or feeling of real
| |
| | be further from the truth. Though on a
|
| people; the guy or girl from the coffee
| |
| | human level, this is what it feels like I
|
| shop, a person they met at the bank, the
| |
| | am saying and I never wanted to be a
|
| people who provide their daycare
| |
| | person who said things like that.
|
| services, the people at the deli's and
| |
| | I have known for a long time that the
|
| small shops they frequent. In essence,
| |
| | truth hurts and people's perception is
|
| people they choose to interact with
| |
| | their truth. How people perceive what I
|
| during their normal course of business.
| |
| | am saying can lead to it being be
|
| When many voice over jobs are cast, it is
| |
| | misconstrued. I have also known that in
|
| the feeling we get when we see a familiar
| |
| | order to be a leader you sometimes have
|
| face or hear a familiar voice that
| |
| | to make some very unpopular decisions.
|
| producers and casting people are trying
| |
| | This is why I continue to follow a path
|
| to recreate.
| |
| | of honesty, and provide assessments of
|
| When we see a familiar face, or hear a
| |
| | how I see this business to all comers and
|
| familiar voice and it is one we want to
| |
| | how I feel they will fit into it. I find
|
| see or hear, it is generally comforting.
| |
| | it an act near criminal to take a
|
| When something is foreign to us, or
| |
| | person's money, push them through
|
| strange and unrecognized, we are usually
| |
| | training and launch them into the world
|
| anything but comfortable. That in a
| |
| | with less than the appropriate tools and
|
| nutshell is why we don't want our voices
| |
| | barriers standing in their way. I am
|
| to be strange, unrecognizable or foreign
| |
| | afraid that not all in this industry
|
| to the general audience. Our ability as
| |
| | share the same foundation of principal.
|
| voice actors to create the desired
| |
| | This is certainly something I think voice
|
| imagery with our voices is what gets us
| |
| | over talent with ethnically diverse
|
| hired and lands us jobs. What gets us
| |
| | backgrounds should be aware of when
|
| overlooked if not pigeon-holed completely
| |
| | entering this marketplace.
|
| is not being able to deliver these voices
| |
| | If you are a voice actor who feels some
|
| without some sort of regional, urban or
| |
| | of the characteristics of your voice may
|
| ethnic affect. When a voice actor
| |
| | have something to do with your lack of
|
| auditions with any of the above artifacts
| |
| | success in this business, then I try to
|
| in their voice for a job that does not
| |
| | offer you a hand of understanding. In
|
| expressly require or request them, they
| |
| | such a detail oriented business where
|
| most likely will not get the job, and the
| |
| | even the slightest variation in our voice
|
| person hiring for that job, by making a
| |
| | can mean the difference between getting
|
| discriminate judgment, will have in
| |
| | hired and not getting hired, it is of the
|
| essence discriminated against them
| |
| | utmost importance we are able to analyze
|
| because of the sound of their voice.
| |
| | our product and see if there is anything
|
| Understanding the brisance of the word
| |
| | holding us back. If we lack the ability
|
| "discrimination" I ask that you please
| |
| | to self analyze, it is a process that can
|
| entertain all definitions of that word
| |
| | be learned through steady coaching. Also,
|
| before going off the deep end over my use
| |
| | don't feel as if your natural style is
|
| of the word. It is not at all meant to
| |
| | something that needs to be crushed, wiped
|
| imply the producers in the world are
| |
| | away or stuffed into some deep dark
|
| directly discriminating against anyone
| |
| | corner because it doesn't. Look at it as
|
| who sounds as if they are anything but
| |
| | a tool, another arrow in your quiver, and
|
| white. That was not the intention of the
| |
| | another voice with which to demonstrate
|
| comment, but the reality of that idea, is
| |
| | your versatility. Try to look beyond it
|
| we will never know if they are or not.
| |
| | as your only voice and see it as one of
|
| The only way to remove it as a
| |
| | the many things that make you unique,
|
| possibility is to subvert it by becoming
| |
| | diversified and intriguing. It can be a
|
| a better, more versatile voice over
| |
| | very valuable piece of your portfolio,
|
| talent and learning to speak with or
| |
| | but as your only piece, may be a
|
| without our regional or ethnic affect.
| |
| | detriment to your success.
|
| Essentially through training and practice
| |
| | There are walls all around people of
|
| becoming better versions of ourselves.
| |
| | culture in this country, let alone the
|
| Embracing our natural character.
| |
| | world. Some are made of granite; some are
|
| I can think of nothing more hurtful,
| |
| | not so easy to see. Some have fallen in
|
| insidious or nefarious than telling a
| |
| | the last 25 years and some are still in
|
| person of any color, culture, race,
| |
| | the process of being constructed. Some
|
| nationality or creed that the way they
| |
| | are meant to keep people in, though many
|
| were born into this world isn't good
| |
| | now are meant to keep people out. These
|
| enough to participate in - and prosper
| |
| | are the realities of the world in which
|
| from its harvest. However, that is the
| |
| | we live. They may continue to be
|
| message received daily by people of
| |
| | realities for as long as we live. Though
|
| various cultures from directions and
| |
| | this doesn't mean we have to bow to them,
|
| sources that are too many to name. There
| |
| | or attempt to tunnel our way beneath
|
| are some who may conclude by my simply
| |
| | them, we only have to imagine there are
|
| writing this article, I have become one
| |
| | ways to rise above them and make them
|
| of those sources. I beg to differ, but at
| |
| | disappear. In the faceless world of voice
|
| this time decline to argue. Once again, I
| |
| | over, a little training can go a long way
|
| will not allow this article to spin out
| |
| | toward creating a new reality. A reality
|
| of control. My only comment is this: The
| |
| | where we are not judged buy the color of
|
| longer we go on without talking about
| |
| | our skin or where we come from, but by
|
| these issues, the longer we will
| |
| | the content of our demo tape.
|